A majestic player, Liebman commands the soprano and tenor saxophones with unequalled technical skill, while his note choice and phraseology convey a lifetime of musical stories.””…Liebman continues to explore textures and tonalities where most are afraid to tread.”“Whatever Liebman does is artistic an honest, because the dude simply can’t play any other way”“I consider David Liebman to be one of the greatest jazz artists of this century. Those of you who have seen him conduct classes around the world for the past thirty plus years know that he can cover many areas from melody to transcribing, from chromatic harmony to aesthetics, etc.DUOLOGUE (CONVERSATION BETWEEN DAVE LIEBMAN AND RICHIE BEIRACH)CARIS VISENTIN LIEBMAN (EAR TRAINING AND TRANSCRIPTION)What does it feel like when you are in the vortex, the eye of the hurricane?
With his sophisticated harmonic approach and vast technique, he is still regarded as a saxophonist’s saxophonist; one of the few to absorb fully and build upon the Coltrane ideal.For him usual Western musical practices are clearly not a large enough musical pallet. It’s not even the obvious fact that the usual twelve tones (and their typical usage) aren’t enough for the full expression of his ideas. All of the musical examples are stimulating and Dave’s essays on related topics are as elegant and insightful as anything I’ve ever read about improvised music. When besides that I’m being rewarded with all this approval, attention, approbation for something that is solely mine and only I can do. Order here. There’s something elusive that sets him apart from all the others. His artistic output has ranged from straight ahead classic jazz to chamber music; from fusion to avant garde and world music. “Yet Liebman upped the drama once more, playing an extended solo accompanied only by Spencer’s drums. David Liebman (born September 4, 1946) is an American saxophonist, flautist and jazz educator. Accept no imitations.”“Liebman is too experienced to be snared by the temptation of lesser performers to pack in all his technique on each solo to show the listener what he can do.”“This out-of-character willingness to produce the unexpected shows that in spite of conventional manners, Liebman sustains the impulses of a committed, ever-searching improviser.”“For more than three decades David Liebman has championed artistic integrity and core musical values, while sharing a beacon for saxophonists in the stylistically fragmented post-Coltrane era.
Sometimes they are pictures of places, sometimes of people, and sometimes of the inner workings of the mind and soul. To me it is aptly put by the French; you are (at least temporarily) “Le Roi Du Monde.” For those moments when I (as a horn player) am playing in front of a good rhythm section, I am simply “the king of the world”–everything is perfect!! NEA Jazz Master Dave Liebman is the top soprano in jazz. . He’s explored myriad of styles and projects, from swinging acoustic post-bop to fusion and free jazz, and he’s always challenging his own limits.”“Liebman has developed a voice so singular and unique that his broad tone on tenor saxophone and his plaintive, almost crushing wail on soprano mark him with one of the most distinctive styles of horn-playing in all of modern music.”“Fierce isn’t just a trendy expression, but an accurate description of saxophonist, bandleader, educator and NEA Jazz Master Dave Liebman. George Carlin, one of the all time great comedians and observers of the human condition in his autobiography He is known for his innovative lines and use of atonality. Shrill tumbling cascades of notes may give way to short, stabbing staccato phrases played dead on the beat. There can’t be anything better than that. His cantabile style, as identifiable as a human voice in its emotional tone and dramatic role playing, may in a given solo, conjure up …
And I view the term “artist” as the highest compliment anyone can bestow upon a musician. Getting to that place takes years of experience and observing those who are ahead of you on line. He knows the value of space and never gets carried away. David Liebman has the ability to touch the soul seeking from the wayward horn an extraordinary depth of emotion and dramatic range. Liebman is a giant of manipulating timbre, timing, note length and expression to manipulate every detail of a note.”(On Self Portrait of a Jazz Artist ) “…practically every page is comprised of headings that describe in detail still another aspect of his craft gained from introspective discovery, without jargon or unnecessary embellishment, but with enough practical and useful information to make each of these a nugget.”“To me this book is one of the most fascinating and illuminating books ever written on the subject of improvisation. Media Guest on more than 300 television and radio shows.
The Complete Guide to Saxophone Sound Production (DVD)On Education, the Saxophone and Related Topics – BookletStandards and Originals Play Along with the David Liebman Group Vol.81How to Approach Standards Chromatically – Techniques of Superimposition (w/CD) It is these disparate yet symbiotic qualities that help to create his unparalleled voice on this instrument. Dave Liebman promises to bring us further developments for the ’90s due to his restless and searching spirit.
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