As historian Charles Jencks notes, there were The century of robust mini-debates on form and function, meaning and intent, petered out ten years ago. Rafael Moneo produced a modernist building in 2000, and Steven Holl completed a new Glassell School of Art in 2018 that replaced a 1979 Brutalist building by Gene Aubry.
Although PoMo was flawed, I don’t have it in my heart to ding the building. The Ágora. city of Arts and Sciences is an urban recreation center of culture and science that was completely developed by Santiago Calatrava. The extraordinary sharpness and luminosity of the projections, together with the large size of the screen and the sound quality, help to create exceptional realism that integrates the spectator within the images.The images cover the whole screen because they use a projection system made up of six Barco Galaxy projectors of 12,000 ANSI lumens each distributed on the perimeter of the screen; a Zeiss PowerDome graphic generator that allows the generation of digital content; and a Uniview display platform and astronomical simulator that reproduces the whole universe, as it has an extensive three-dimension astronomy database.Go deep into CERN’s Large Hadron Collider where the smallest particles are the most powerful ones in the universeLearn about the history of the creation of Earth and witness one of the most impressive spectacles of natureExperience the fantastic natural treasures of the USA's national parks alongside intrepid explorersCopyright © Ciutat de les Arts i les Ciències.
Unique strategies cannot be judged without context, so pronouncements generally provide a preamble, complaint, and a list of tenets. Meaning received. Architecture lost itself in an identity crisis not long ago.
So did Philip Johnson, Louis Kahn, Paolo Soleri, Christopher Alexander, Rob Krier, Renzo Piano with Richard Rogers, Kisho Kurokawa, Aldo Rossi, Daniel Libeskind, Rem Koolhaas, Coop Himmelblau, Steven Holl, and Bjarke Ingels. In art as in politics, answers are often provided via declarations called manifestos. Even when there is stated rationale, it is often glib, or invisible in the work, or based on a theoretical position that time has invalidated. My criticism is the same I have with many contemporary buildings—they seem arbitrary and capricious, as if no guiding principle rooted them into existence.
Nor is my problem function, for, as far as I know, they work as intended. He beckoned others to join him. Nor can I argue against Mies’ 1958 example of universal space, given Modernism’s at-the-time honorable promise that form following function would lead to an egalitarian society of light and air.
In poster form, my rant looks like this:Architecture’s historical progression—from a thought to a theory, to a movement, to a manifesto, to an accepted style—has stalled. Eventually, the profession gave up looking for ways out of its uncertainty, leaving us where we are today.In premodern eras, new construction techniques, evolving opinions on art, and shifting societal beliefs drove styles. Other tricks of the trade include listing your demands, bold typography, the use of storytelling with a dose of drama, even theatrics. It is not usually open to the public and cannot be visited. I’ll go first, guided by the wisdom of Dr. Anna Tahinci, a professor and art history chair of the Museum of Fine Art Houston’s Glassell School of Art who teaches a workshop entitled, For my manifesto, this will be easy. William Ward Watkin designed the Museum of Fine Art Houston’s original Neoclassical building in 1924. For reasons unknown, the formation of new isms dwindled—but certainly, not because architecture has found itself. In 1957, Mao Zedong’s appealed to China’s intelligentsia for a constructive philosophical debate. Let us all write a manifesto. Check out all our outstanding activities, exhibitions, projections and workshops in a single place. Evidence that contemporary theory and practice are threads of new architectural thought is scarce. Reader, if you’re an architect, are you on the list? A Whateverism never codified goes nowhere.The dearth of contemporary architectural movements indicates the profession is no longer questioning itself—and that’s a problem. Screen measures: rectangle about 16x8 meters.The seventh art in large format. The most recent building at the City of Arts and Sciences, the Ágora is a versatile venue hosting a wide variety of events. The Palau de les Arts Reina Sofia by Santiago Calatrava. Surprise ensues when radical ideas burst on the scene, bringing confusion and questions.
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